The Saga Continues: A$ap Ant Releases “Addie Calipari”

For a little over a year now, I’ve been exploring and diving into A$ap Ant. The Baltimore rapper has intrigued me with his wordplay, the production of his songs, and his consistency when it comes to dropping new music for his fans. While we’re constantly focused on the “star” members of the A$ap mob, the real work is happening to the ones you aren’t paying attention to and Ant is one of them.

When I first start noticed Ant it was while I was listening to his verse on “Runner” with Lil Uzi Vert on Cozy Tapes vol. 1. Then again on Cozy Tapes vol. 2 where he made more features on songs such as “Blowin Minds”, “Walk on Water”, and “Get The Bag”. This is when I knew I had to find more music by him.

So in 2018 when he released “The Prelude”, I was able to get a sense of what kind of rapper he was and his signature sound. Seven (7) songs, each about 2 minutes or less. What I found unique about Ant, other than his lyricism, was his consistency. Since The Prelude, Ant has consistently put out great quality projects so fans like myself never have to wait for new music from him — which is something I can get behind, for sure.

It was no question that I had to support and listen to his latest project — Addie Calipari which pays homage to the head coach for the college basketball team University of Kentucky. The rapper also makes that known in his album work, created by @antawge, which shows him at a basketball game holding the net.

Artwork by @antawge

The song breakdown

The album starts off with Tyson’s Corner, a reference to an area in Virginia with high end shopping centers. Tyson’s Corner shows off Ant’s wordplay and signature sound off bat — “he like a Christmas tree, when we shoot we light him up”. Sliding into Lord Superb, Ant plays with some bars to describe his childhood over a Sparkheem beat. Next, NBA Live 2005 and Offseason Workout — both references to the cover of the project. 21 Donut (feat. Lulu P) immediately catches my attention because of the best change. The first half of the project were beats with similar tempos and bass — great none the less, but 21 Donut’s beat reminded me of an old beat Lil Flip would be proud of in 2005. Tris Stratus — which I believe is a reference to a bad bitch and my favorite WWE Diva, is more of a freestyle from Ant which I could appreciate especially since its only one minute long. Okay so I know I’m a feminist and all of that but I have to be honest, Bri Bri Keep Playin is the song I keep on repeat everyday. I know y’all might be mad because of the lyrics but listen, between the beat, the catchy lyrics, I’ve been corrupted. The slow tempo of the beat along with the relaxed tone of the rapping, you definitely get a vibe from this one that separates itself from the other songs. And Bri Bri, I hope you stopped playin. Alright so, I lied; Cross Country Elementary is the other song I have on repeat too. Maybe it’s the beat or maybe it’s Ant rapping “get yo b*tch off my f*ckin d*ck” about eight times but Spizzledoe and Ant definitely snapped with this one — #GYBOMFD is the mood for 2020? A&W Cream Soda and Beat And 1 (feat Baby 9eno) both produced by Sparkheem with Jonny Caravaggio show off more of Ant’s creative wordplay. As the project ends, Ooze Edition and Infantry Mobbin both shine a light on the rapper’s brand Marino Infantry.

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